Summary
In the 1960s, carbon-copy costumes signaled belonging, professionalism, and stability. Thom Browne's tour wardrobe revolved around a collection of gray tailoring. All ensembles must be connected by a common element, but glimmers of distinctiveness must shine through.
Stylist Lindsey Hartman, who also works with the band Paramore, infuses bits of purposeful rebelliousness into boygenius’s editorials and certain special performances. “I think the key is establishing a little signature for each member and trying to bring that to the table each time,” she says.
