Taylor Swift, in case you haven’t noticed, is the subject of a lot of headlines. Which makes it all the more ironic that the singer is notorious for being one of the most media-proof individuals on the planet, hermetically sealed from any and all avenues of inquiry. Given that West is an avowed Swiftie—with a photo of him and the singer pinned to the top of his 30,000-follower-strong Instagram page—his hiring did not inspire much hope at the time, at least among the more skeptical of media consumers, that he would bring a particularly hard-hitting approach to the beat. In other words, he’s doing a lot of the soft, brand-conscious Swift coverage that has dominated the pages of every other entertainment publication for the past decade—a lot of Tumblr-lite cryptography, soft-focus trend stories, and flat, lore-driven gossip sufficiently defanged and muffled by innumerable PR Four years ago, the author of Pitchfork’s 8. (One of his recent headlines: “Is Taylor Swift Making 2024 the Year of Poetry With Her New Album?” “Is Taylor Swift’s New Album Imprinted on the Dark Side of the Moon?”) Read More Still, in an ideal future, the general public would grow exhausted by the tsunami of glitzy non-content foisted upon us by the celebrity class. Error: Not Enough similarities to be summarized, or the sentence is invalid.
